Book Guide

ln a second gleaning of the fields of Fairy Land we cannot expect to find a second Perrault. But there are good stories enough left, and it is hoped that some in the Red Fairy Book may have the attraction of being less familiar than many of the old friends. The tales have been translated, or, in the case of those from Madame d'Aumoy's long stories, adapted, by Mrs. Hunt from the Norse, by Miss Minnie Wright from Madame d'Aulnoy, by Mrs. Lang and Miss Bruce from other French sources, by Miss May Sellar, Miss Farquharson, and Miss Blackley from the German, while the story of 'Sigurd' is condensed by the Editor from Mr. William Morris's prose version of the 'Volsunga Saga.' The Editor has to thank his friend, M. Charles Marelles, for permission to reproduce his versions of the 'Pied Piper,' of 'Drakestail,' and of 'Little Golden Hood' from the French, and M. Henri Carnoy for the same privilege in regard to 'The Six Sillies' from La Tradition.

Lady Frances Balfour has kindly copied an old version of 'Jack and the Beanstalk,' and Messrs. Smith and Elder have permitted the publication of two of Mr. Ralston's versions from the Russian.

From the preface of the first edition

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Andrew Lang

Andrew Lang

1844 - 1912
Scottish
Andrew Lang was born in Selkirk, Scotland, in 1844, and educated at Oxford.  Later settling in London he became the greatest journalist of his ... See more
Leonora Lang

Leonora Lang

1851-1933
British
See more
H. J. Ford

H. J. Ford

1860 - 1941
British
See more

The Red Fairy Book Reprint

The Red Fairy Book
Reprinted by Living Book Press
Available formats: Hardcover, Paperback
View on the Living Book Press site
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Content Guide

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Resource Guide

The Literary Life
Podcast

Episode 70: Why Read Fairy Tales?
Released in 2020 by The Literary Life
Available formats: Streaming Audio
Length: 1 hr. 29 min.
View on the The Literary Life site

"Angelina Stanford and Cindy Rollins tackle the topic of fairy stories, discussing the what, why and how of reading them. Angelina shares the distinctive characteristics of fairy stories in contrast to other types of stories, such as myths. They deal with the question of whether fairy tales are 'escapist', the influence of the Grimm brothers scholarly work on interpreting fairy stories, and allowing the story to unveil its deeper truths without forcing meaning onto it.

Angelina gives an illustration of how to see the gospel messages in fairy tales by talking us through the story of Sleeping Beauty. She refutes the ideas that fairy tales are about human romance or are misogynistic. She also highlights some of the Enlightenment and Puritan responses to fairy tales that still linger with us today. Cindy and Angelina also discuss some common concerns such as the magical, weird, or scary aspects of fairy tales. Angelina also makes a distinction between folk tales, literary fairy tales, and cautionary tales."